The Lovers’ Chronicle 12 January – again – art by Jean Béraud & John Singer Sargent

Dear Zazie,

I am moved beyond words by your latest note. Thank you. You know your man. That is exactly what I would have done. Well, I might have stopped to thank them, for their loss is my gain. Oh, and that grin would have probably turned to a big smile as I walked out the door. Here is today’s Lovers’ Chronicle from Mac Tag dedicated to his muse.  Rhett

The Lovers’ Chronicle

Dear Muse,

dream époque…
on a street corner in Paris waiting for something, not sure what
a horse drawn carriage pulls up, yes this is it, opens the door and gets in
after how long, a minute, thirty, it stops in front of the Folies Bergère
he gets out, walks in and there she is, sitting in a booth sipping absinthe
looking très jolie in her hat and gloves, her red hair radiant
I feared I would never see you again
Fear not, I am here every night
Where should we go from here

© copyright 2024 mac tag/cowboy coleridge all rights reserved

there is a great song by Lenny Kravitz
though we will not be spendin’ any time
wonderin’ if we will see each other again
“No, but we could have sung
the opening line the day we met;
“I’ve been searching for you”
the word today originated in a poem
from ’18 that referenced watchin’
movies more than once
if i wrote that poem today it would be,
here we are again, holdin’ each other

© copyright 2023.2024 mac tag/cowboy coleridge all rights reserved

some things are worth returnin’ for, some we are doomed to repeat, had a penchant for the latter, a mixture of stubbornness and cluelessness, but if that was the price of admission to git to the verse, then you, well sign me up again, even double, it would be worth it

© copyright 2022.2024 mac tag/cowboy coleridge all rights reserved

as you know, been writin’
and wonderin’ for a long time
about whether i would ever
unsaddle and stop wanderin’

always before, it just felt like
when i stopped, i was only
stoppin’ long enough
to check the binds
and jump another fence

i believe it is time
the cowboy gets the girl

© copyright 2021 mac tag/cowboy coleridge all rights reserved

Pale Love, Pale Rider

well i just want to know
how the hell you let
yourself feel

after all the miles
you shoulda known,
only stop long enough
to check the binds

what you were built for,
no sense of permanence
with purpose found
only in this vision

yes, play it that way,
the way it shall be

© copyright 2020 mac tag/cowboy coleridge all rights reserved

it changes you
what could i suggest
but to stop often
and take it in

the celebration found
in the smallest details

a sip of espresso
a once ago kiss
words and the feelin’s
they conjure in us
the tug of what was
in a pulse before
the veil falls

© copyright 2019 mac tag/cowboy coleridge all rights reserved

just watched
Walk the Line
yep, again
will never git enough
of Johnny and June

‘parently,
it was too much
to ask, fate and goddess
and magic and hope
to bring me my June
she ain’t comin’

lets see,
what else is on…

oh sweet jesus,
not sure i have the strength
to watch Cold Mountain
yep, again

keep clickin’

oh good,
Hustle is on
think i can handle
Reynolds and Deneuve

status

© copyright 2018 mac tag/cowboy coleridge all rights reserved

to relate the looks or thoughts
through rhythm or rhyme
through light
or otherwise

to recall the sensations,
from mutual passion
to be confined
by the comfort
of those visions

thus it cannot be supposed
to have the will
to go there again

misfortune or miracle
blessin’ or curse…

to have been there,
to have felt,
to have been
half of a whole

© copyright 2016 mac tag/cowboy Coleridge all rights reserved

Night, deep in silence, She awaits there with Her power that
Moves through the world and makes his hair stand on end

She is there, knowin’ the air will soon fill with snowflakes
and knowin’ the answers yet keepin’ them to Herself until……

© copyright 2015 mac tag/cowboy Coleridge all rights reserved

Today is the birthday of Jean Béraud (Saint Petersburg; January 12, 1848 – October 4, 1935 Paris); painter known for his numerous paintings depicting the life of Paris, and the nightlife of Paris society.  His paintings of the Champs Elysees, cafés, Montmartre and the banks of the Seine are detailed illustrations of everyday Parisian life during the “Belle Époque”.

Self portrait oil on canvas circa 1909

Gallery

Les Buveurs d’absinthe. 1908

Au café, dit l’Absinthe (vers 1909), Paris, musée Carnavalet

La Lettre

La Loge

“Jeune Femme a la Voilette”

L’escrimeuse

Parisienne sur la place de la Concorde (vers 1885), Paris, musée Carnavalet

Jeune femme traversant le boulevard

Le Café de Paris

Home, Driver

Sortant De La Madeleine, Paris

Symphony in Red and Gold

Après la faute (vers 1885-1890), Londres, National Gallery

La Méditation (1894), palais des Beaux-Arts de Lille

Blanche Vesnić (née Ulman)

The Milliner on the Champs Elysées

L’Attente, Paris, musée d’Orsay

Le Bal Mabile

Au Bistro

Representation of the Théâtre des Variétés

La Pâtisserie Gloppe (1889), Paris, musée Carnavalet

Altercation dans les couloirs de l’Opéra (1889), Paris, musée Carnavalet

Personnages

Rue du Havre (vers 1882), Washington, National Gallery of Art

Après l’office à l’église américaine de la Sainte-Trinité (vers 1900), Paris, musée Carnavalet

Le Pont des Arts par grand vent (vers 1880-1881), New York, Metropolitan Museum of Art

And today is the birthday of John Singer Sargent (Florence; January 12, 1856 – April 14, 1925 London); artist, and one of the leading portrait painter of his generation.  During his career, he created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings.  His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine, and Florida.


Self-Portrait, 1906, oil on canvas, Uffizi Gallery, Florence

Sargent was a lifelong bachelor.

Gallery 

The Chess Game, c. 1907, Private Collection

Madame Edouard Pailleron, 1879, National Gallery of Art

Portrait of Madame X, 1884, Metropolitan Museum of Art, New York, Virginie Gautreau

“Ellen Terry as Lady Macbeth” (1889)

Grace Elvina, Marchioness Curzon of Kedleston, 1925

Sleeping Nude (1917)

Life Study (Study of an Egyptian Girl), c. 1891

An Out-of-Doors Study, 1889, depicting Paul César Helleu sketching with his wife Alice Guérin. The Brooklyn Museum, New York

El Jaleo (Spanish Dancer), c. 1879–82, Isabella Stewart Gardner Museum

Capri Girl on a Rooftop (Rosina Ferrara doing a tarantella dance on the rooftop of (probably) Sargent’s hotel.)

Rosina, 1878, depicting Ferrara

Lady Agnew of Lochnaw, 1893, National Gallery of Scotland

Nonchaloir (Repose), 1911. The model is Rose-Marie Ormond Michel, Sargent’s niece

Fanny Watts, Sargent’s childhood friend. The first painting at Paris Salon, 1877, Philadelphia Museum of Art

Venetian onion seller, 1880–1882, Thyssen-Bornemisza Museum, Madrid.

Madame Ramón Subercaseaux, c. 1880–81

Lady with the Rose (Charlotte Louise Burckhardt), 1882, Metropolitan Museum of Art

Sargent emphasized Almina Wertheimer’s exotic beauty in 1908 by dressing her en turquerie

Portrait of Robert Louis Stevenson and His Wife, 1885, Crystal Bridges Museum of American Art

Claude Monet Painting by the Edge of a Wood, 1885, the Tate, London

Mac Tag

thanks for stoppin’ by y’all

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2 responses to “The Lovers’ Chronicle 12 January – again – art by Jean Béraud & John Singer Sargent”

  1. […] 1862 Auguste Rodin, John Singer Sargent, 1884 Camille Claudel (1864–1943) in his studio The Age of Bronze(1877) photo by Edward […]

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