Dear Zazie, Here is today’s Lovers’ Chronicle from Mac Tag dedicated to his muse. Follow us on twitter @cowboycoleridge. Do you have any love confessions? Rhett
The Lovers’ Chronicle
Dear Muse,
obviously,
voice by Janis
and lyrics by Kris;
“Through all kinds of weather,
through everything we done”
been writin’ about
the feelin’ good part
how it was not,
but now, is easy
“A new experience for you”
i doubted it’s existence
in the context of two
“And now”
it is good enough for us
© copyright 2023 mac tag/cowboy coleridge all rights reserved
hearin’ that voice, never tire of, should listen more often; always end up thinkin’ about feelin’s, went from no idea how to handle ’em, to surpressin’, ignorin’ and denyin’ ’em, and good, almost forgot what that was, but you know all that, now we can alter to the lyrics to, feelin’ good is good enough for me and you
© copyright 2022.2023 mac tag/cowboy coleridge all rights reserved
much different now
need a new definition
sparse for a long time
did not need nor want
except to endure
there was purpose
but a narrow window
and feelin’ had no meanin’
outside of anything dark
but shook that off
so we can write about
all that is good enough
for us and where we go
© copyright 2021.2023 mac tag/cowboy coleridge all rights reserved
Pale Love, Pale Rider
i admit the need,
entangled in you,
i have never admitted
my pretendin’
and posturin’,
nothin’ but bluffin’
i cannot deny
what brings
such satisfaction
to the cravin’ within
therefore, i turn
to face those eyes,
fixed upon me
what can they do
but fill me
as night closes in
© copyright 2020 mac tag/cowboy coleridge all rights reserved
listenin’ to Janis…
not askin’ anyone
to buy me a Benz, nor
tryin’ to make amends
just want to hear that voice
not convinced feelin’ good
is somethin’ to strive for
avoidance of feelin’ bad
where the bar should be
writin’ this verse
and stayin’ away
from negative vibes,
good enough for me
© copyright 2019.2023 mac tag/cowboy coleridge all rights reserved
admit
what never was
all pretendin’
and posturin’ aside
a longin’ as deep
as anything
ever felt
yet deny i cannot
what my hopeful self
disowns
so i turn my back
and ride away
best let sleepin’
feelin’s lie
as is shall be
good enough
© copyright 2018 mac tag/cowboy coleridge all rights reserved
for Marci
listenin’ to Janis…
i know you are
as i am
to miss you
is to…
i do not laugh
like i did
i do not smile
like it did
a man left lonely
since you have been gone
i remember
those last moments
the way you felt
the way you looked
as you turned to leave
what good is why
at this point
how the hell
will that help
choices made
and not
cowboy up
and live with it
it is what it is
never about pity
no tears in my beer
the verse flows
and good friends
help with gittin’ by
that will surely sustain
still…
with nothin’ left to lose,
i will never fergit
when feelin’ good
was good enough
for you and me
© copyright 2017 mac tag/cowboy Coleridge all rights reserved
Seein’ your own face
starin’ back at you
from the shadows;
a dream of death,
when he who comes as mourner,
finds himself the mourned
Mornin’ movin’ like a tide
light swimmin’ faintly about the hem of darkness;
sketched upon the Mesas
The reason why,
workin’ and livin’
and havin’ this bein’
the reward he seeks,
the only thing he cares about
without which there is nothin’
© copyright 2016 mac tag/cowboy Coleridge all rights reserved
A Confession
I admit the need,
Entangled in her limbs,
I have never admitted
My pretendin’ and posturin’,
Nothin’ but bluffin’,
Nothin’ but coquetry
I long for her, and yet
I cannot deny what
My better self disowns,
For my distraction
Brings such satisfaction
To the cravin’ within.
Therefore I turn my back
On her and ride away
Those questionin’ eyes
That are fixed upon me
What can they do but haunt me
As empty night closes in
© copyright 2012 mac tag/Cowboy Coleridge all rights reserved
The Song of the Day is “Confess My Love” by Leah.
| Francesco Solimena | |
|---|---|
Today is the birthday of Francesco Solimena (Canale di Serino, near Avellino, Italy October 4, 1657 – April 3, 1747 Naples); painter of the Baroque era, one of an established family of painters and draughtsmen.
Gallery

Portrait of a woman

Ritratto della contessa di Harrach

Hagar and Ismail in the Desert comforted by the Angel
| Jean-François Millet | |
|---|---|
Today is the birthday of Jean-François Millet (Gruchy, Gréville-Hague, Normandy; October 4, 1814 – January 20, 1875 Barbizon, France); painter and one of the founders of the Barbizon school in rural France. Millet is noted for his scenes of peasant farmers. He can be categorized as part of the Realism art movement.
In 1841, Millet married Pauline-Virginie Ono, and they moved to Paris. After rejections at the Salon of 1843 and Pauline’s death by consumption, Millet returned again to Cherbourg. In 1845 Millet moved to Le Havre with Catherine Lemaire, whom he would marry in a civil ceremony in 1853.
Gallery

The Goose Girl, 1863

La Baigneuse

assis nu

diana au repose

Femme nue couchée, 1844-1845, huile sur toile, 33 × 41 cm, Paris, musée d’Orsay

The Angelus, 1857–59. Musée d’Orsay, Paris

Les Planteurs de pommes de terre, vers 1861, huile sur toile, 82,5 × 101,3 cm, Boston, Musée des Beaux-Arts



Bergère avec son troupeau, 1863 ou 1864, huile sur toile, 81 × 101 cm, Paris, musée d’Orsay.

Femme avec un rateau, vers 1856-57, huile sur toile, 39,7 × 34,3 cm, New York, Metropolitan Museum of Art

La Fournée, 1854, huile sur toile, 55 × 46 cm, Otterlo, musée Kröller-Müller

Des Glaneuses (1857), huile sur toile, 83,5 × 110 cm, Paris, musée d’Orsay

The Sheepfold. In this painting by Millet, the waning moon throws a mysterious light across the plain between the villages of Barbizon and Chailly. The Walters Art Museum

L’Appel des vaches, vers 1872, huile sur bois, 94,6 × 64,8 cm, New York, Metropolitan Museum of Art
| Frederic Remington | |
|---|---|
![]() | |
Today is the birthday of Frederic Remington (Frederic Sackrider Remington; Canton, New York; October 4, 1861 – December 26, 1909 Ridgefield, Connecticut); painter, illustrator, sculptor, and writer who specialized in depictions of the Old American West, specifically concentrating on the last quarter of the 19th-century American West and images of cowboys, American Indians, and the U. S. Cavalry.
Remington married Eva Caten in 1884 and they returned to Kansas City. She was unhappy with his saloon life and was unimpressed by the sketches of saloon inhabitants that Remington regularly showed her. When his real occupation became known, she left him and returned to Ogdensburg. With his wife gone and with business doing badly, Remington started to sketch and paint in earnest, and bartered his sketches for essentials. With financial backing from his Uncle Bill, Remington was able to pursue his art career and support his wife.
Gallery

Ute woman

The Outlier

The Old Stage-Coach of the Plains, 1901

Shotgun Hospitality, 1908, oil on canvas, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire

A Taint on the Wind, 1906, Oil on canvas, Sid Richardson Museum, Fort Worth, TexasRemington

The Hunters’ Supper

The Call for Help

The Scout: Friends or Foes?, 1902–1905, oil on canvas, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

The Luckless Hunter, 1909, Oil on canvas, Sid Richardson Museum

Arizona cow-boy (1901 lithograph)

Dismounted: The Fourth Troopers Moving the Led Horses, an 1890 oil on canvas portrait by Remington now housed in the Clark Art Institute in Williamstown, Massachusetts

The Blanket Signal, 1894/1898

Aiding a Comrade, 1890

The Stampede; Horse Thieves, 1909. Museum of Fine Arts, Houston

The Lookout, 1887

A New Year on the Cimarron, 1903, Museum of Fine Arts, Houston

A Dash for the Timber, 1889, depicts cowboys in the Southwest shooting at Apaches in the rear. One of the eight riders is already wounded but remains on his horse

The Gendarme (1889)

The Advance-Guard, or The Military Sacrifice (1890)

The Hussar (1893)

The Herd Boy

The Parley

Fight for the Waterhole

Indians Simulating Buffalo

His First Lesson, 1903

A Cold Morning on the Range, c. 1904, Oil on canvas, American Museum of Western Art, Denver, Colorado

Ridden Down (1905–1906) depicts an Indian in defeat with his horse exhausted, stoically calling the spirits while awaiting his fate

Episode of the Buffalo Gun

Mounted Indian Scout

Uhlan

Scouts Climbing a Mountain

A Map in the Sand

Buffalo Runners-Big Horn Basin, 1909, Oil on canvas, Sid Richardson Museum, Fort Worth, Texas

The Sentinel, 1889, Oil on canvas, Sid Richardson Museum

And on this day in 1951, An American in Paris an American musical romantic comedy film inspired by the 1928 jazz-influenced symphonic poem (or tone poem) An American in Paris by George Gershwin premieres in New York City. Starring Gene Kelly, Leslie Caron (her film debut), Oscar Levant, Georges Guétary, and Nina Foch, the film is set in Paris, and was directed by Vincente Minnelli from a script by Alan Jay Lerner. The music is by George Gershwin, with lyrics by his brother Ira
Mac Tag
thanks for stoppin’ by y’all


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