The Lovers’ Chronicle 29 July – know – art by Ivan Aivazovsky & Eastman Johnson – death of Valtesse de La Bigne

Dear Zazie,  Here is today’s Lover’s Chronicle from Mac Tag.  What do you not know?  What do you know?  Rhett

The Lover’s Chronicle

Dear Muse,

obvious song choice
“Where you’re going to”
we do in fact
“And where we have been”
perhaps more importantly,
where we are not goin’
“To the ear of the Goddess”
no longer chasin’ fantasies
nothin’ slippin’ from our hands
no more sad answers
nor waitin’ to see
“Do we know”
yes we do

© copyright 2023 mac tag/cowboy coleridge all rights reserved

shall we dispense with the pleasantries; no one has time for that; drawin’ a line in the sand to say; i understand what has to be known; the best way to navigate this wondrous, absurd, beautiful, bafflin’, ride we were forced to join; all that is left is to keep comin’ here everyday

© copyright 2022.2023 mac tag/cowboy coleridge all rights reserved

know, what beauty in art,
in music, in poetry provided
here, all mirrors of you

there is much i do not know,
but i know i saw you today
and that is all i need

© copyright 2021 mac tag/cowboy coleridge all rights reserved

Pale Love, Pale Rider

what i know

wind, waltzin’, workin’
wide open skies
poetry and opera

and what i used to know

well, best leave it at
i miss it all very much

what was done
cannot be
unwound
or forgotten
choices were made
and those choices
must be lived with

at least i figured out
how to go on

© copyright 2020 mac tag/cowboy coleridge all rights reserved

the pull is strong
shan’t say deserved
(never presume
that kinda power)
but earned
for certain

is it possible,
whether dealt or self-inflicted,
one becomes so accustomed
that one seeks one purpose
or refuses to get outta the way

just hope it keeps comin’
gotta feel somethin’

© copyright 2019 mac tag/cowboy coleridge all rights reserved

all i know of truth
is what i found in you

just part of the reason
why i am never alone

© copyright 2018 mac tag/cowboy coleridge all rights reserved

Always been a runner
From everyone
Some ran after
With the things
That came with
But no more

Always said,
My feelin’s
Were irrelevant
Because it never
Happened for me
Or more candidly,
I never let it happen

© copyright 2017 mac tag/cowboy coleridge all rights reserved

This one just sort of appeared.  I believe it came from a few lines from a half remembered poem.  What do I know?  Not enough?  Too much?  Certainly, more than I did.  I wish I knew then what I know now.   What I did not know then, if you have been following TLC, you know.   How to be without you……

What I Do Not Know

With certainty,
What I do know

Horses, cattle
Ropes, boots, spurs, wind
Waltzin’, workin’
Wide open skies
French poetry
And opera

And here is what
I used to know

The softest touch
Sweetest caress
Lingerin’ kiss
Fervent friction
Climax in sync
Mutual sigh

All of that missed
So very much

But what was done
Cannot be unwound
Or forgotten
Choices were made
And those choices
Must be lived with

So here is what
I do not know

How in the hell
Do I do that
To live without
What I lived for
How, tell me how
Do I go on

© copyright 2013 Cowboy Coleridge mac tag All rights reserved

Ivan Aivazovsky
Self-portrait, 1874, oil on canvas, 74 × 58 cm, Uffizi, Florence

Today is the birthday of Ivan Aivazovsky (Ivan Konstantinovich Aivazovsky; Feodosia, Taurida, Russian Empire 29 July 1817 – 2 May 1900 Feodosia, Russian Empire); Romantic painter.  In my opinion, one of the greatest marine artists.  Baptized as Hovhannes Aivazian, Aivazovsky was born into an Armenian family in the Black Sea port of Feodosia and was mostly based in his native Crimea.  Following his education at the Imperial Academy of Arts, Aivazovsky traveled to Europe and lived briefly in Italy in the early 1840s.  He then returned to Russia and was appointed the main painter of the Russian Navy.  The saying “worthy of Aivazovsky’s brush”, popularized by Anton Chekhov, was used in Russia for “describing something ineffably lovely.”  During his almost 60-year career, he created around 6,000 paintings, making him one of the most prolific artists of his time.  The vast majority of his works are seascapes, but he often depicted battle scenes, Armenian themes, and portraiture.

In 1848, Aivazovsky married Julia Graves, an English governess.  They separated in 1860 and divorced in 1877 with permission from the Armenian Church, since Graves was a Lutheran.

Aivazovsky’s second wife, Anna Burnazian, was a young Armenian widow 40 years his junior.  Aivazovsky said that by marrying her in 1882, he “became closer to [his] nation”, referring to the Armenian people.

Gallery

1898 Among the waves.

today is the birthday of Eastman Johnson (Jonathan Eastman Johnson; Lovell, Maine; July 29, 1824 – April 5, 1906 New York City); painter and co-founder of the Metropolitan Museum of Art, New York City, with his name inscribed at its entrance. Perhaps best known for his genre paintings, paintings of scenes from everyday life, and his portraits both of everyday people and prominent Americans such as Abraham Lincoln, Nathaniel Hawthorne, Ralph Waldo Emerson, and Henry Wadsworth Longfellow. His later works often show the influence of the 17th-century Dutch masters, whom he studied in The Hague in the 1850s; he was known as The American Rembrandt in his day.

In 1869, at the age of 55, he married for the first time, to Elizabeth Buckley. When he died in 1906 at age 81, Johnson was buried at Green-Wood Cemetery in Brooklyn, New York.

Gallery

And today is the death day of the countess Valtesse de La Bigne (Émilie-Louise Delabigne 1848 Paris – 29 July 1910 Ville-d’Avray); courtesan and demi-mondaine.  Though born to a working-class family in Paris, she rose through the social ranks and was a supporter of painters, while creating a space for women to participate in the art world through her collecting and Salon.

gallery

The Song of the Day is “I Don’t Know“ by The Sheepdogs.  We do not own the rights to this song.  All rights reserved by the rightful owner.  No copyright infringement intended.

Mac Tag

thanks for stoppin’ by y’all

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