Dear Zazie, Here is today’s Lovers’ Chronicle from Mac Tag. Are you holdin’ on? Rhett
The Lovers’ Chronicle
Dear Muse,
one of the most obvious choices,
written by Isaac Hayes and David Porter,
recorded by Sam & Dave at Stax Studio;
“Just hold on, I’m comin’”
”Because I was”
yes you were, but what took you so long
”Very funny, we got here when we could”
and we both had to hold on
through what life was throwin’ at us
”I guess we both have strong grips”
to what matters we do
and we will be holdin’ on
together where we go
© copyright 2023.2024 mac tag/cowboy coleridge all rights reserved
well versed on this one, sometimes for dear life, what was the motivation, stubbornness or stupidity, helped havin’ a strong constitution, years of weight trainin’ and sprint triathlons will do that to ya, and a high pain tolerance, we were taught to take it and not show it, i excelled, that it paid off, no one is more surprised than i, to be still standin’, not hooked on anything but this, and the reason revealed, i was holdin’ on for you
© copyright 2022.2024 mac tag/cowboy coleridge all rights reserved
if not for you
i would still be
had a firm grip on the reins
wound a little too tight, not
as in high strung, but as in
too rigid, too guarded, too
closed off, just too up tight
still am with everyone
except you, the one
i was holdin’ on for
© copyright 2021.2024 mac tag/cowboy coleridge all rights reserved
Pale Love, Pale Rider
what moments
a future, darlin’,
means just one thing
we are not above it
tell me why it should be so
that only you can move me
once struggled for verse
now the words flow
anything goes
just a soi disant poet,
anyway, this i wrote
for you tonight,
you are everything still
© copyright 2020 mac tag/cowboy coleridge all rights reserved
friends and family…
i will be here,
perhaps sporadically
over the next week
or so
your favorite
soi disant poet
is makin’ a move
stay tuned
you will be with me
© copyright 2019 mac tag/cowboy coleridge all rights reserved
one for Jett…
a year to the day
since she went away
not a stretch to say
barely survived
but still standin’
no more killin’ time
now time for doin’
as should be done…
“But you must care.
You must hold on.”
i told you
never hold on
why hold on
but, dang
you were right
at least partly
the first time
i saw you
i knew…
two people
who believe
above all else
one must be,
to hold the other
once, in the arms,
tell me, tell me
© copyright 2018 mac tag/cowboy coleridge all rights reserved

screen porch sittin’ Broken Bow

mac’s creek winery Lexington, Nebraska
straightened out the curves
on the road to the winery
one of the things held on for
as the curtain of solitude
draws down, it is time
to heal
© copyright 2017 mac tag/cowboy coleridge all rights reserved
restless
somethin’ callin’, pullin’…
“But you must care. You must.
You must hold on to something.”
never hold on
why hold on
everything held on to… fades
“The first time I saw you
I knew…”
everything would burn
two people who love
the dream above all else
will soon vanish together
one must be, to hold
the other one
and the pain in bein’;
that is what will be
once, in the arms,
pressed, feelin’, sayin’;
“Tell me. Tell me!”
a song of the sea
a sad day
© copyright 2016 mac tag/cowboy Coleridge all rights reserved
Feo, Fuerte y Formal
The strength, not there
Tryin’; but just
cannot get there
© copyright 2015 mac tag/cowboy Coleridge all rights reserved
Today is the birthday of Gustave Courbet (Jean Désiré Gustave Courbet; Ornans, Doubs; France 10 June 1819 – 31 December 1877 La Tour-de-Peilz, Switzerland); painter who led the Realist movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work. His paintings challenged convention by depicting peasants and workers, often on a grand scale traditionally reserved for paintings of religious or historical subjects. He also painted landscapes, seascapes, hunting scenes, nudes and still lifes. He was imprisoned for six months in 1871 for his involvement with the Paris Commune, and lived in exile in Switzerland from 1873 until his death.

c. 1860s
(portrait by Étienne Carjat)
During the 1860s, Courbet painted a series of increasingly erotic works such as Femme nue couchée, culminating in The Origin of the World (L’Origine du monde) (1866), which depicts female genitalia and was not publicly exhibited until 1988, and Sleep (1866), featuring two women in bed. The latter painting became the subject of a police report when it was exhibited by a picture dealer in 1872.
Gallery

The Woman in the Waves, 1868, Metropolitan Museum of Art, New York

Young Bather, 1866

Portrait of Jo (La belle Irlandaise), 1865–66, Metropolitan Museum of Art, a painting of Joanna Hiffernan, the probable model for L’Origine du monde and for Sleep

Le Sommeil (Sleep), 1866, Petit Palais, Musée des Beaux-Arts de la Ville de Paris

Les Bas Blancs (Woman with White Stockings), 1864, Barnes Foundation

Le Hamac ou Le Rêve (1844), Winterthour, musée Oskar Reinhart


The Origin of the World (L’Origine du monde), 1866, Musée d’Orsay, Paris

La Font (The Source), 1862, Metropolitan Museum of Art


Femme nue couchée, 1862

Nude Woman with a Dog (Femme nue au chien)), c. 1861–62, Musée d’Orsay, Paris

The Source, 1868, Musée d’Orsay

Les Baigneuses (1853), Montpellier, musée Fabre

The Artist’s Studio (L’Atelier du peintre): A Real Allegory of a Seven Year Phase in my Artistic and Moral Life, 1855, 359 cm × 598 cm (141 in × 235 in), oil on canvas, Musée d’Orsay, Paris

Les Amants ou Valse (1845), huile sur toile, Lyon, musée des beaux-arts

Les Demoiselles des bords de la Seine (été) (1856), Paris, Petit Palais

femme espagnole

Zélie Courbet, 1847

Femme en habit de cavalière (1856), New York, Metropolitan Museum of Art

Girl with Seagulls, 1865

The Trellis, 1862, Toledo Museum of Art, Toledo, Ohio

Mer en automne (1867), Kurashiki, musée d’art Ōhara. Courbet a peint de nombreuses vagues, qui, au fil des années, sont saisies frontalement.

Sea Coast in Normandy, 1867

The Calm Sea, 1869, Metropolitan Museum of Art

The Fishing Boat, 1865, Metropolitan Museum of Art

Un enterrement à Ornans (1850), Paris, musée d’Orsay. A Burial at Ornans, 1849–50, oil on canvas, 314 x 663 cm (123.6 x 261 inches), Musee d’Orsay, Paris. Exhibition at the 1850–1851 Paris Salon created an “explosive reaction” and brought Courbet instant fame.”


And Today is the birthday of Edwin Arnold (Gravesend, Gravesham, Kent, England 10 June 1832 – 24 March 1904 London); poet and journalist, perhaps best known for his work The Light of Asia.
Sir Edwin was married three times. His first wife was Katherine Elizabeth Biddulph, of London, who died in 1864. Next he married Jennie Channing of Boston, who died in 1889. In his later years Arnold resided for some time in Japan, and his third wife, Tama Kurokawa, was Japanese.
We are the voices of the wandering wind,
Which moan for rest and rest can never find;
Lo! as the wind is, so is mortal life,
A moan, a sigh, a sob, a storm, a strife.
- The Deva’s Song
thanks for stoppin’ by y’all
Mac Tag
Leave a comment