The Lovers’ Chronicle 4 March – searchin’ – art by Fra Galgario & Henry Raeburn – photography by Margrethe Mather

Dear Zazie,  Here is today’s Lovers’ Chronicle from Mac Tag.  What are you searchin’ for?  Rhett

The Lovers’ Chronicle

Dear Muse,

dream seeker…
- Warm under their blankets, he can feel the breeze from the ceiling fan overhead and he hears the crackling of the fire in the wood burning stove…
wait, that cain’t be right, he thinks, the stove was in my house in Nebraska
-He rolls over, looking up and sees a sky full of stars
ah, a dream, campin’ out on the High Plains, nice, he thinks
-A shrouded figure sits across from the campfire, She says,
I came to check on your searching
for purpose, it is complete
For suffering
all done, i have had my fill
And for the one
complete, she sleeps here next to me, the beautiful redhead
What is it you seek now
the right words in the right order, les bons mots, i must have them every day
Very well, they will be provided
thank you
I will be back
i know

© copyright 2024 mac tag/cowboycoleridge all rights reserved

that is what this
could all be about
“Your quest”
inspiration came from
the Nicholas Evans book
The Smoke Jumpers
“I haven’t read that one”
i was struck by the similarities
between myself and the main character
and there is plenty of beauty and sadness
to go around
“Right in your wheelhouse”
just glad my searchin’ ended in you

© copyright 2023 mac tag/cowboycoleridge all rights reserved

closed the door on past searches, includin’ mirrors of misery, purpose and the one, no need to look further in those directions, still searchin’ but focused now on these; the right words in the right order, new experiences with you, new views of visual art, verse and prose i have not read, notes i have not heard, movies and plays i have not seen, and however it is said; la recherche, la recirca, la búsqueda (all feminine by the way), it continues 

© copyright 2022.2024 mac tag/cowboycoleridge all rights reserved

searchin’ still
for what is life
without it

so much time spent,
and energy,
in search of sorrow
anything sad
just tryin’ to feel
thought i was dead inside

but now, beyond
anything imagined,
i feel most this

the need
to explore the ways
i can express my gratitude

for you

© copyright 2021 mac tag/cowboy coleridge all rights reserved

Pale Love, Pale Rider

this is what it feels like

i am merely here
to write for you

to be drawn in, in ways we never knew
urgently comes the creation, how what is within
comes to be with, the rhythmic erection of essence

life’s little deaths,
le petit mort,
as the French say

this we can find

© copyright 2020 mac tag/cowboy coleridge all rights reserved

for Julie

readin’ poems out loud
close the notebook
and sigh

those brown eyes,
had a way of pullin’ in
and holdin’, and feelin’
not so hopeless and alone
always amazed at this ability
to so freely express and to
explore many depths

the words just start comin’
it is all that can be done
to write ’em down

“Why are you so fascinated
with sad poetry and sad songs?”
it is a search
always has been, at first
for wine, women, and words
and hope
(it is late, too late)
but now
there is no more
foolin’ myself
(and there is no
redemption)
the search
is for what can be
felt the most

© copyright 2019 mac tag/cowboy coleridge all rights reserved

wakin’ up to first light
streamin’ across my bed
stayed up too late
but still not able
to sleep in
not been able
to sleep late
for a long time
-“You do what you gotta do
You do everything you can”-

lay there for awhile
enjoyin’ the feelin’,
warm under the covers
breathin’ the chilly air
in my room
-“He’s goin’ out”-
sound of a train
rollin’ through town
in the distance
and the whistle,
wait for it,
there it is
-“I wanna fly away”-

sortin’ through the remnants
of last night’s words, thoughts,
-this need for solitude,
this need for a touch-
the musical streams,
-“I’m gonna stop wastin’ time”-
the visions, that remind
of what was,
what shoulda been,
what could be
-“The glory of love
might see you through”-

the taste of Sambuca
lingers,
and the memories
-another train-
would it not be
so nice, to share
this with you
-“There’s a bit of magic in everything
And then some loss to even things out”-
knowin’ now,
would it help,
would it make a difference
-“Oh, such a perfect day”-

© copyright 2018 mac tag/cowboy coleridge all rights reserved

front porch sittin’


© copyright 2016 mac tag/cowboy coleridge all rights reserved

for Julie

This one began as a vignette I sent you back in 2010. Today I turned it into a poem.  Hope you like……

Searchin’

He finished reading his latest poem to her and handed her his notebook.  She took it and read the poem. Letting it sink in.  He sipped his coffee, a latte with an extra shot, and watched her and waited.  She finished and closed the notebook, handed it back to him, and sighed.  She looked at him.  Those blue eyes had a way of pulling him in and holding him and making him feel not so hopeless.

She spoke, “Well, two things never cease to amaze me.  Your ability to so freely express yourself and your ability to explore so many depths of sadness.”

“I know, sorry about that, but as I have told you, the words just start comin’ out and all I do is write ’em down.”, he said.

“No don’t apologize”, she replied and continued “I think it is a good thing that you can be so expressive, but we really need to talk again about why.”

His pale blue eyes flashed a sly look at her, “About why you are so lovely and talented?”

She laughed, “Oh I saw that one coming Mr. Charm!”  Now they both laughed.

“M’lady knows me too well.”

“That’s right Cowboy and don’t forget it and don’t try to charm your way out of this.  What is it with this fascination you have with sad poetry and unrequited love?  What with the day in history stories you have sent me and all these sad poems and reading Bridges again, what’s next?  I suppose you’re going to tell me that you’re going to read The Horse Whisperer again?”

“Well, actually……”

“See!  Come on, what is it?.”

“Alright, alright.  Calf-rope!  Calf-rope!”

Her puzzled expression asked the question before she did, “Calf-rope?”

“Yeah, a cowboy term.  It means I give up.”

“Good, so let’s hear it.”

“I am on a search”.  He paused.

“A search?  A search for what?”

“Well, I have always said my life has been a search for wine, women, and words.  But, I have become more and more aware that there was sumpthin else.  At, first I thought it was hope, but I was just kiddin’ myself.  And then one day, there it was.”

“What?”

“I am on a search for mirrors of my own sadness.”

Searchin’

Finished readin’ his latest poem
To her, then gave her his notebook
She took it and she read the poem
She finished and closed the notebook,
Handed it back to him, and sighed
She looked at him. Those eyes. Those eyes
Had a way of pullin’ him in
And holdin’ him and makin’ him
Feel not so hopeless and alone
She said she was always amazed
At his ability to so
Freely express himself and to
Explore many depths of sadness
He said the words just start comin’
And all he does is write ’em down
She asked did he ever wonder
Why he was so fascinated
With sad poetry and sad songs
Well, he said, he was on a search
He said his life had always been
A search for wine, women, and words
But lately he had become more
Aware that there was somethin’ else
At, first he thought that it was hope
But he was just kiddin’ himself
Then one day, there it was; he knew
He was searchin’ for, a mirror
A mirror of his own sadness

© copyright 2013 mac tag/Cowboy Coleridge All rights reserved.

The Song of the Day is “Searching” by INXS.  We do not own the rights to this song.  All rights reserved by the rightful owner.  No copyright infringement intended.

Today is the birthday of Fra’ Galgario, also called Fra’ Vittore del Galgario, (Giuseppe Vittore Ghislandi; Bergmo 4 March 1655 – December 1743 Bergamo); painter, mainly active in Bergamo as a portraitist during the Rococo or late-Baroque period.

 Autoritratto del 1732

Galleria d’immagini

Ritratto di Elisabetta Piavani Ghidotti Accademia Carrara, Bergamo

Ritratto di Faustina Bordoni, 1730 ca
Handel House Museum, Londra

Cecilia Colleoni, 1710-15

Ritratto di donna anziana
Museo Statale di Amsterdam

Today is the birthday of Henry Raeburn (Stockbridge, Edinburgh 4 March 1756 – 8 July 1823 Edinburgh); portrait painter. He served as Portrait Painter to King George IV in Scotland.

In 1812 he was elected president of the Society of Artists in Edinburgh; and in 1814 associate, and in the following year full member, of the Royal Scottish Academy. On 29 August 1822 he received a knighthood during the visit of King George IV to Scotland and appointed His Majesty’s limner for Scotland at the Earl of Hopetoun house.

Raeburn had all the essential qualities of a popular and successful portrait painter. He was able to produce a telling and forcible likeness; his work is distinguished by powerful characterisation, stark realism, dramatic and unusual lighting effects, and swift and broad handling of the most resolute sort. David Wilkie recorded that, while travelling in Spain and studying the works of Diego Velázquez, the brushwork reminded him constantly of the “square touch” of Raeburn.  Scottish physician and writer John Brown wrote that Raeburn “never fails in giving a likeness at once vivid, unmistakable and pleasing. He paints the truth, and he paints it with love”.

Raeburn has been described as a “famously intuitive” portrait painter. He was unusual amongst many of his contemporaries, such as Reynolds, in the extent of his philosophy of painting directly from life; he made no preliminary sketches.  This attitude partly explains the often coarse modelling and clashing colour combinations he employed, in contrast to the more refined style of Thomas Gainsborough and Reynolds. However these qualities and those mentioned above anticipate many of the later developments in painting of the 19th century from romanticism to Impressionism.

Raeburn died in St Bernard’s House Stockbridge, Edinburgh. He is buried in St. Cuthbert’s churchyard against the east wall (the monument erected by Raeburn in advance) but also has a secondary memorial in the Church of St John the Evangelist, Edinburgh.

Gallery

Portrait of Lady Nasmyth, in a white dress and brown shawl, seated at a table, holding a book. Eleanor Murrary (d. 1807), was the second daughter of John Murray of Philiphaugh. She married Sir James Nasmyth of Posso in 1785

Mrs. Reay of Killingworth Hall, Northumberland(around 1790), Museum of the Shenandoah Valley

Miss Eleanor Urquhart, 1793Miss Eleanor Urquhart, 1793"La signora Macdowall".“La signora Macdowall”

And today is the birthday of Margrethe Mather (born Emma Caroline Youngreen; Salt Lake City; 4 March 1886 – 25 December 1952 Los Angeles); photographer. She was one of the best known female photographers of the early 20th century. Initially she influenced and was influenced by Edward Weston while working in the pictorial style, but she independently developed a strong eye for patterns and design that transformed some of her photographs into modernist abstract art. She lived a mostly uncompromising lifestyle in Los Angeles that alternated between her photography and the creative Hollywood community of the 1920s and 1930s. In later life she abandoned photography, and she died unrecognized for her photographic accomplishments.

Gallery

Carlota by Edward Weston. Weston’s muse Margrethe Mather portrays Empress Carlota of Mexico

portrait of Judith 1921

Semi-nude, 1923 Billy Justema in a kimono

Mather, Alice Terry, December 1922, in Motion Picture Classic, vol. 10, no. 4

thanks for stoppin’ by y’all


Mac Tag

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One response to “The Lovers’ Chronicle 4 March – searchin’ – art by Fra Galgario & Henry Raeburn – photography by Margrethe Mather”

  1. […] One of these fellow bohemians was the photographer, Edward Weston and his creative partner Margrethe Mather. It was through her relationship with Weston that Modotti developed as an important fine art […]

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